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・ Hans-Joachim Brand
・ Hans-Joachim Bremermann
・ Hans-Joachim Buddecke
・ Hans-Joachim Caesar
・ Hans-Joachim Dönitz
・ Hans-Joachim Frey
・ Hans-Joachim Förster
・ Hans-Joachim Gehrke
・ Hans-Joachim Geisler
・ Hans-Joachim Göring
・ Hans-Joachim Haase
・ Hans-Joachim Haase (optician)
・ Hans-Joachim Hannemann
・ Hans-Joachim Hartnick
・ Hans-Joachim Hecht
Hans-Joachim Hespos
・ Hans-Joachim Hessler
・ Hans-Joachim Heyer
・ Hans-Joachim Hoppe
・ Hans-Joachim Horrer
・ Hans-Joachim Hunger
・ Hans-Joachim Jabs
・ Hans-Joachim Kahler
・ Hans-Joachim Kappis
・ Hans-Joachim Kasprzik
・ Hans-Joachim Klein
・ Hans-Joachim Klein (swimmer)
・ Hans-Joachim Koellreutter
・ Hans-Joachim Kroschinski
・ Hans-Joachim Kulenkampff


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Hans-Joachim Hespos : ウィキペディア英語版
Hans-Joachim Hespos
Hans-Joachim Hespos (born March 13, 1938) is a German composer of avant-garde music. He was born in Emden.
Since ''für Cello solo'' (written 1964), he has composed in all genres, including many pieces for unaccompanied solo instruments and theatre works. He has always remained outside of the mainstream and has never been associated with any of the many movements in postwar European music, though he did attend summer courses at Darmstadt in the 1980s. Today, Hespos is still relatively unknown in the United States.
Even by the standards of the European avant-garde, Hespos' music usually is quite extreme and unconventional. In his many pieces for solo instruments, Hespos pushes instruments to their timbral limits, employing extended techniques and other effects to create unusual sounds (For example, ''Duma'' (1980) for alto flute requires the performer to spit into his or her instrument to create sickly gargling sounds). He frequently writes for less-common instruments, such as cimbalon (1976's ''Cang'') or musical saw (used in ''Ganifita-Blues'', 1984). He even calls for extreme stage techniques in his theatre works—the famous piece ''Seiltanz'' (''"Tightrope Dance"'', 1982) requires an actor to break his way out of a metal cage by means of a welding torch.
Hespos' scores very frequently employ graphic notation, verbal instructions, traditional music notation or some combination thereof. Many of his works involve improvisation (For example, ''t a n E K'' (2013) with improvisational parts by Kommissar Hjuler and Mama Baer). Additionally, Hespos' music must often be performed without a conductor, putting even greater demands on the performers.
Hespos has been the recipient of many awards and honors in his career, including the 1967 Gaudeamus International Composers Award and a scholarship to study at the Villa Massimo in Rome in 1972. In the year 2005, the Akademie der Künste, Berlin created an archive of Hespos' music. That same year, ''Opera World'' magazine selected Hespos' ''iOPAL'' as the opera premiere of the year.
==External links==

* (Hespos' website (in German) )



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